...
This also brings up the need for distinguishing between being the creator of a work vs. being the subject of the work.
Notes from the meeting
Duke is looking at the existing data in the current faculty reporting system (SES) and trying to represent it in VIVO
- Art (Visual Studies and Art History)
- Dance
- Theater
- Music
Brown has a lot of interaction with the Rhode Island School of Design – working on committees there, curating exhibits, serving as some sort of a judge; they are looking at a number of departments and have a database table called Artistic Works that have been pulled from the faculty CVs. There are also broader issues with the humanities to discuss in a less immediate sense.
- Being on a review committee
- Related to book reviews but more of a role than an output publication
- In looking at Music, there is the notion of going on a tour performing a particular music or theater piece authored or directed by a faculty member – and performing multiple roles on the tour. Event series doesn't seem to really capture what goes on the tour – a collection of performances, which in the database is a set of rows.
- The notion of a citation – you are interviewed by a magazine, a play is reviewed somewhere – not really an award, but belongs in the mix
- Artistic exhibits – there's also the notion of permanent installation, and touring exhibits, and the distinction between solo and group exhibits as a distinction of merit and significance, much like the level of contribution to authorship as is tracked in Europe
- Translations are some people's primary work, but also related to another work
- Contributions of a photo or illustration to a published work.
- Consulting is another contribution that faculty members would like to have recognized – e.g., a faculty member who does a lot of curatorial work for museums
Types
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