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Stanford Collections
Stephen Jay Gould
http://hypatia-test.stanford.edu/catalog/hypatia:gould_collection
The disk images on the left is not either a complete set for the whole collection or the small subset of the data.
The disk image should be in ascending order.
Robert Creeley
http://hypatia-test.stanford.edu/catalog/hypatia:creeley_collection
The disk images on the left is not either a complete set for the whole collection or the small subset of the data. Disk images for small subset should be (CM022, 026, 028, 033, 048, 050).
The disk image should be in ascending order.
...
<mods:abstract displayLabel="Biography">
<p>After serving as an ambulance driver for the American Field Service in India and
Burma, then living for a year outside Aix-en-Provence, France, Creeley moved in 1952
to Mallorca, where he founded and edited the Divers Press. Upon his return to the
United States and at the invitation of Charles Olson, Creeley moved to North
Carolina where he joined the faculty of the Black Mountain College and edited the
short-lived but highly influential journal, The Black Mountain Review (1954 -1957).
Though he left the college in 1955, Creeley had already established himself as one
of the leading figures of the literary avant-garde of the 1950s, establishing with
Charles Olson the "Black Mountain School,"one of the most important movements in
American letters, the foundation of Projective Verse, a break from the New Criticism
and its "insistence on form as extrensic to the poem. He is notable for having
established a lasting association with his literary mentors-Pound, Williams,
Zukofsky, Bunting, and Dahlberg, among others-as well as those poets, writers and
visual artists associated with the experimental arts of Black Mountain and the 1950s
avant-garde. Among these are Paul Blackburn, John Chamberlain, Francisco Clemente,
Cid Corman, Fielding Dawson, Jim Dine, Elsa Dorfman, Ed Dorn, Robert Duncan, Robert
Indiana, R.B. Kitaj, Denise Levertov, Marisol, and especially Charles Olson, with
whom Creeley corresponded extensively and collaborated on Mayan Letters (1953).
Creeley was also a presence in the San Francisco poetry renaissance, where he formed
a life-long association with Barth, Corso, Ginsberg, Kerouac, and McClure. Creeley
is currently the SUNY Distinguished Professor of English and holds the Samuel P.
Capen Chair of Poetry and Humanities at the State University of New York, Buffalo, a
center of innovation and postmodern poetics, particularly that or those of the
so-called "L-A-N-G-U-A-G-E" poets.</p>
<p>While his oeuvre includes short stories, essays, a novel, as well as criticism,
Creeley is known principally as a poet. His friend and fellow poet John Ashbery has
said of Creeley and his work, "He is the best we have." He has published over thirty
volumes of verse since 1952, including: Words (1967); Pieces (1969); St. Martin's
(1971); A Day Book (1972); Thirty Things (1974); Presences : A Text for Marisol
(1976); Away (1976); Echoes (1982); Mirrors (1983); Memory Gardens (1986); and
Windows (1990). His most recent collections of poems are Echoes (1994), published by
New Directions, and Loops (1995), published by Nadja. Among his collections of poems
are: For Love : Poems, 1950-1960 (1962); Poems 1950-1965 (1966); The Charm (1971);
The Finger : Poems 1966-1969 (1970); The Door : Selected Poems (1975); Selected
Poems (1976); The Collected Poems of Robert Creeley, 1945-1975 (1982); and Selected
Poems 1945-1990 (1991).</p>
<p>Creeley has been awarded numerous literary prizes, including the Horst Bienek
Lyrikpreis from the Bavarian Academy of Fine Arts, two Guggenheim Fellowships, a
Fulbright Award, and a Rockefeller Grant. He was named New York State Poet Laureate
in 1992. Creeley is a member of the American Academy of Arts and Letters.</p>
<p>He lives with his wife, Penelope Highton Creeley, and two of his six children in
Buffalo, New York.</p>
</mods:abstract>
Xanadu
In the "Description" of disk image:
http://hypatia-test.stanford.edu/catalog/hypatia:1
There is no info. for "Repository"
Local Identifier: M1292 Xanadu should be M1292 (to be consistent with other page)
After I clicked CM01, the system just prompt "Waiting for hypatia-test.stanford.edu...."
Koch
In http://hypatia-test.stanford.edu/catalog/hypatia:677
EXTENT External Hard Disk
In http://hypatia-test.stanford.edu/catalog/hypatia:677/edit?viewing_context=edit&combined=true
There are :
Disk Image File: file name, size, md5....
Image of Disk- Front: file name, size, md5....
Image of Disk- Back: file name, size, md5....
It should be just Disk Image File. NO info. for Image of Disk- Front, Image of Disk- Back.